{"id":121,"date":"2025-02-16T22:53:26","date_gmt":"2025-02-16T22:53:26","guid":{"rendered":"https:\/\/emotion.com.co\/?page_id=121"},"modified":"2026-10-06T13:45:26","modified_gmt":"2026-10-06T13:45:26","slug":"produccion","status":"publish","type":"page","link":"https:\/\/emotion.com.co\/en\/produccion\/","title":{"rendered":"Production"},"content":{"rendered":"
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Cinema with powerful stories for audiences<\/h2>\n<\/div><\/div>

Emotion is a key ally in all stages of film production, acting as executive producer in national and international projects, covering everything from pre-production to final distribution. We specialise in the creation and management of feature film, short film, fiction and non-fiction series projects.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

Our productions<\/h2>\n<\/div><\/div><\/div><\/div>
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Vienen la grietas<\/b><\/h1><\/div>\n\t\t\t<\/div>
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Director: <\/b>Daniel Mateo Vallejo<\/h4><\/div>\n\t\t\t<\/div>
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Year <\/b>2022<\/span><\/p><\/div>\n\t\t\t<\/div>

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Synopsis: <\/b>Keisi wakes up one morning obsessed with escaping into the thicket of nature that has been haunting her lately. A photograph as a fantasy; the art gallery in which it is exhibited as a nightmare.<\/span><\/p><\/div>\n\t\t\t<\/div>

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Role of emotion: <\/b>Associated production<\/span><\/h5><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
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Todos los d\u00edas<\/strong><\/h1><\/div>\n\t\t\t<\/div>
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Director: <\/b>David Rend\u00f3n Pel\u00e1ez<\/h4><\/div>\n\t\t\t<\/div>
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Year <\/b>2023<\/span><\/p><\/div>\n\t\t\t<\/div>

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Synopsis: Ramiro is fired from the job he has worked at for most of his life. In the midst of his newfound, lonely freedom, he meets three unemployed men like him who get together to kill time and keep each other company while fantasizing about getting revenge on their former employers and seeking, one small triumph at a time, to be happy. Every day, every day.<\/span><\/b><\/p><\/div>\n\t\t\t<\/div>

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Role of emotion: <\/b>Co-production<\/span><\/h5><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
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El rastro del agua<\/strong><\/h1><\/div>\n\t\t\t<\/div>
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Director: <\/b>Anderson Ascanio<\/h4><\/div>\n\t\t\t<\/div>
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Year <\/b>2023<\/span><\/p><\/div>\n\t\t\t<\/div>

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Synopsis: <\/b>A woman clings to her past in her daily life, between her job and customs she tries not to forget without knowing if she will recover the place she has already lost.<\/p><\/div>\n\t\t\t<\/div>

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Role of emotion: <\/b>Co-production<\/span><\/h5><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
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Distancia<\/strong><\/h1><\/div>\n\t\t\t<\/div>
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Director: <\/b>Dea Mar\u00eda Pompa<\/h4><\/div>\n\t\t\t<\/div>
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Year <\/b>2024<\/span><\/p><\/div>\n\t\t\t<\/div>

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Synopsis: <\/b>A woman in the midst of a divorce decides to sell her house in the midst of the Coronavirus crisis. With the help of her neighbor, a real estate broker, they find a buyer. But, to carry out the sale, the woman needs the signature of her ex-husband, the divorce decree, or a power of attorney granted to her by her ex; and all these documents are being processed in another city. In the midst of total quarantine, the woman has no other choice but to knock on the door of her neighbors, with whom she had never established a social bond, to get the power of attorney from the ex from across the border and finalize the sale of the house. In this way, she gets involved, in addition to the insistent broker, with the trusting doorman, with a dark ex-military man with a questionable past and with the neighbor across the street younger than her, who provokes unexpected erotic sensations in her and develops a transformative connection with her. Her only way out is to break the confinement, putting the safety of the entire neighborhood at risk.<\/p><\/div>\n\t\t\t<\/div>

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Role of emotion: <\/b>Co-production<\/span><\/h5><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
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Las pira\u00f1as<\/strong><\/h1><\/div>\n\t\t\t<\/div>
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Director: <\/b>Anderson Ascanio<\/h4><\/div>\n\t\t\t<\/div>
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Year <\/b>2020<\/span><\/p><\/div>\n\t\t\t<\/div>

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Synopsis: <\/b>Juan Pablo lives in a dysfunctional family from which he feels alienated. His parents make a living from shady business dealings for which he is forced to be a messenger. Richard, his sister Jessica's boyfriend, assigns him the bass in a garage band that Juan Pablo supports while a need reverberates inside him.<\/p><\/div>\n\t\t\t<\/div>

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Role of emotion: <\/b>Associated Production<\/h5><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

Projects<\/h1>\n<\/div><\/div><\/div><\/div>
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in development<\/h1>\n<\/div><\/div><\/div><\/div>
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Written by Jos\u00e9 Guarnizo, this true crime series is inspired by one of the most shocking and terrifying crimes that shook Medell\u00edn in 2010.<\/span><\/p>\n<\/div><\/div>

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Do\u00f1a Mar\u00eda is finally the centre of attention in her neighbourhood when the Virgin Mary appears at her house. However, her position is threatened when the news announces that it will record the apparition: Will everything be perfect? \u200b\u200bWill the Virgin Mary be seen? Will she get rid of Luc\u00eda, the neighbour with Down syndrome?<\/span><\/p>\n<\/div><\/div>

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Creative triad<\/span><\/h1>\n<\/div><\/div><\/div><\/div><\/div>

When an investigative journalist, a script doctor and a creative producer with audiences in mind come together, stories come to life with power and vision.<\/p>\n<\/div><\/div><\/div><\/div>

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Lina P\u00e9rez Arenas<\/h1>\n<\/div><\/div>

Creative producer with experience in programming and distribution of audiovisual content.<\/p>\n<\/div><\/div><\/div>

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Jos\u00e9 Guarnizo<\/h1>\n<\/div><\/div>

Journalist and Master in Literary Creation from Pompeu Fabra University.<\/p>\n<\/div><\/div><\/div>

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Ver\u00f3nica Escobar<\/h1>\n<\/div><\/div>

Master of Philosophy in scriptwriting and librettos for film, television and multimedia.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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Lina P\u00e9rez Arenas<\/h1><\/div>\n\t\t\t<\/div>
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Creative production company with experience in programming and distribution<\/b> of audiovisual content in US Hispanic and Latin America. She worked as a programming coordinator at Teleantioquia and as an acquisitions consultant for Caracol Internacional and Globosat. Since 2014, she founded Emotion, a Colombian content distribution company for OTT, VOD, and broadcast television, and participates as a screenwriter on major development projects, contributing her creative perspective from the audiovisual industry landscape to write proposals more focused on international markets and global audiences. <\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Jos\u00e9 Guarnizo<\/h1><\/div>\n\t\t\t<\/div>
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Journalist and Master in Literary Creation from Pompeu Fabra University. Winner of the King of Spain International Journalism Award (2011 and 2020), the IAPA Journalism Excellence Award (2020), the Sim\u00f3n Bol\u00edvar Award four times (2018, 2019, 2020 and 2021), the Fetisov Journalism Award (2021, for collective work) and a finalist for the Gabo Award (in 2019, for collective work), among other recognitions. He is the author of non-fiction books, including <\/span>The Black Widow, a text that was brought to television by RTI and Televisa.<\/b><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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Ver\u00f3nica Escobar<\/h1><\/div>\n\t\t\t<\/div>
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Master of Philosophy in scriptwriting and librettos for film, television and multimedia,<\/b> with a specialty in fiction from the University of Bergen, Norway. <\/span>Winner of the Film Development Fund Stimulus Award for Best Comedy Screenplay in 2019 <\/b>and recently nominated for the most important award in Colombian television, <\/span>the India Catalina, in the category Best Script for a Telenovela, Series or Miniseries<\/b>with the fiction series Nuestra Tierra, produced by Teleantioquia (2022).<\/span><\/p><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>

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\"Trabajar con Emotion nos permiti\u00f3 dise\u00f1ar una estrategia de festivales precisa para nuestra pel\u00edcula UNO. Gracias a su asesor\u00eda y acompa\u00f1amiento, participamos estrat\u00e9gicamente en <\/span>Content Am\u00e9ricas <\/b>and we strengthened our relationship with key festivals for our film. The curation we carried out together helped us to better focus our route, achieving outstanding selections in the\u00a0 <\/span>Latino and Native American Film Festival, Philadelphia Latino Arts & Film Festival and the Premios Platino shortlist\u201d<\/b><\/p>\n<\/div><\/div>

Laura Franco
<\/b>Clover Studios<\/h4>\n<\/div><\/div><\/div>
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\"Emotion distribuye todas las pel\u00edculas que nuestra casa productora ha hecho: Amalia, Destinos, Huella y Camino y recientemente el T\u00edt\u00e1n\"Todos los D\u00edas\u201d inici\u00f3 como un proyecto\u2026. que tras varios a\u00f1os de intentar hacerlo posible, lo presentamos a Emotion y logramos que se sumar\u00e1 con un 30% de participaci\u00f3n, lo que permiti\u00f3 no solo el cierre de financiaci\u00f3n sino tambi\u00e9n abrir un camino de posibilidades para el corto que fue selecci\u00f3n Panorama en el FICCI, en Bogoshorts y el colegaje encontrado con Lina P\u00e9rez, la productora, gracias\u00a0 fue oportuno y siempre pensando en la mejor ruta para nuestro cortometraje\u201d<\/span><\/p>\n<\/div><\/div>

Ana Sof\u00eda Osorio
<\/b>Cine de Amigos<\/h4>\n<\/div><\/div><\/div>
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\"Todos los D\u00edas\u201d es un proyecto que llevaba varias a\u00f1os intentando realizar y cuando nos decidimos por la autogesti\u00f3n, fue clave aliarnos con Emotion, quienes se sumaron en coproducci\u00f3n con un 30% de participaci\u00f3n. Esto no solo nos permiti\u00f3 cerrar la financiaci\u00f3n, sino que tambi\u00e9n abri\u00f3 nuevas oportunidades para el cortometraje, que fue seleccionado en Bogoshorts y el Festival Miradas. El acompa\u00f1amiento de Lina P\u00e9rez fue clave y generoso, siempre con una visi\u00f3n estrat\u00e9gica y enfocada en la mejor ruta para nuestro cortometraje\u201d.<\/span><\/p>\n<\/div><\/div>

David Rend\u00f3n\u00a0
<\/b>Director \u201cTodos los D\u00edas\u201d<\/h4>\n<\/div><\/div><\/div><\/div><\/div>

Production values<\/strong><\/h1>\n<\/div><\/div><\/div><\/div>
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Green Energy, Powerful Stories<\/strong><\/h4>\n

100% of our offices are powered by renewable energy<\/p>\n<\/div><\/div>

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Female Talent in Action<\/strong><\/h4>\n

More than 80% of our team are women<\/p>\n<\/div><\/div>

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Cinema that Breathes<\/strong><\/h4>\n

Our projects include carbon offsetting<\/p>\n<\/div><\/div>

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Diversity that brings the screen to life<\/b><\/h4>\n

Diversity in casting and crew and in the characters of our stories<\/p>\n<\/div><\/div>

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We believe in local young talent<\/strong><\/h4>\n

Linking interns to our projects, supporting university projects and supporting emerging talent in the national film industry<\/p>\n<\/div><\/div>

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